The second of three exits for Connery but is this one any better than his first effort to leave the role?
Connery’s back! After Lazenby’s attack of ego / poor management advise-inspired decision to turn down a contract for several more Bond movies, Connery steps back into the role after having a metric fucktonne of money thrown at him to persuade him to do so. But now the first Bond has returned to the role, will the movie sparkle as brightly as the titular diamonds?
It’s the first of three “last Bond movies” for Connery but will it give him an exist he deserves?
Pre-existing Prejudices: Well, I know it’s the first of three “last” Bond movies for Connery, I know it’s the one with the volcano base, and I know it’s the one where we finally get to meet Blofeld. But it’s another I haven’t seen in its entirety for… actually I don’t know if I’ve ever seen it in its entity. Should be fun then!
The Actual Film:
Ohhh, we start in space! Or at least a painting of the Earth around which a small, unconvincing model is orbiting. That’s certainly something new. The spacewalk scenes are obviously man-on-wire but they’re ambitious, and points scored for having the Earth actually rotate beneath them as they “orbit”. But then the capsule is attacked by a giant butt-plug/spaceship eater. They’re doing their best, and the model-work is clear enough in what it’s trying to achieve, but the special effects are bit more Gerry Anderson than 2001. The American capsule is drawn inside the mysterious new craft, and the astronaut left dead in space when his airline is cut is suitably nasty, as he floats away forever. Cut to a conference inside two golf balls, and a bit of UK/USSR/US politicking. The Americans and Russians accuse each other, but the UK thinks there might be a third possibility. Hmmm…
James Bond is back! But can the second outing live up to the promise of the first?
For the first time, James Bond Is Back! After the success of Dr No, a second film was all but a certainty, so here it is. Connery’s still in the title role, M is still in the big leather office, and Moneypenny’s still manning the phones, so everything’s in place.
Pre-existing Prejudices As with Dr No, personally few. I definitely haven’t seen this in over two decades, though I know this is lots of people’s favourite from the Connery era, and often just their favourite full stop. For me, it’s the one with the Lesbian Russian Spy Lady and her bladed footwear, the fight in the train carriage, and Blofeld’s first appearance, but that’s about it.
The Actual Movie Again I must break my own self-imposed rule and mention the title sequence, because right away the film opens with the famous gun barrel sequence, this time with the correct Bond theme playing over it, not screechy electronics, and Connery firing at the camera. The extent to which this makes it feel like a real Bond movie is hard to overstate.