Beatles Stuffology Podcast: Episode 4 – Anna (Go To Him)

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Shuffling right along through Please Please Me we come to this, the first cover. How do the Beatles manage with material not of their own making? How does Lennon’s first lead vocal (well, that we’re talking about anyway) come off? And is it better than Misery (and perhaps more relevantly, could it be worse?)

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Twitter: @beatles_ology

Squid Game

A bloody and violent Korean TV show takes the world by storm. But can it live up to the hype?

What’s The Show? Squid Game.

What’s It All About, JG? Somewhere on an island off the coast of Korea, contestants who are in various desperate situations due to debt and poverty are driven to compete in lethal games for the amusement of a bunch of rich assholes. Yeah, that’s pretty much it.

Oh alright, you want more?

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Phil Wang, Sidesplitter

What’s The Book? Sidesplitter: How To Be From Two Worlds At Once by Phil Wang.

What’s It All About, JG? It’s a not-exactly-a-memoir book that addresses a bunch of topics that stand-up comedian Phil Wang feels the urge to write about – food, comedy, culture and so forth. The book is divided into ten chapters, each dealing with a relevant topic, as Wang explores each one in his own rather rambling but appealing style. Ranging anywhere between the serious to the extremely silly, Wang takes each subject and devotes his attention to it in his own inimitable style.

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We’re Number Two: 1999 – “Right Here, Right Now”, Fatboy Slim

Oh 1999, how long ago you seem. Remember the days when all you had to do to get a hit was turn the tone control on a mixing desk from low to high and hope nobody noticed how ridiculously simple that was? Ok that’s a little unfair, but not everything stands the test of time. What’s interesting about Fatboy Slim these days is both how genuinely, unexpectedly impressive the music sounded back in the heady days of 1999 and how rather facile it sounds now. Still, in many ways Fatboy Slim’s breakthrough album, You’ve Come A Long Way, Baby is extremely forward-looking – prescient even. It’s essentially the template for, to take one not-at-all-random example, Moby’s career, and many others will follow in its wake. That’s not a criticism of artists like Moby who will use this template, but it does demonstrate where it comes from.

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Beatles Stuffology Podcast – Episode 4: Misery

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We deal with the second song on Please Please Me this episode as we tackle the all-too-aptly named “Misery”. Does the song justify its spot as the second track on the album? How does the style fit with the rest of the tracks? And just why do Pink Floyd get name-checked?

 

eMail: beatlesstuffology@gmail.com

Twitter: @beatles_ology

Beatles Stuffology Podcast – Episode 3: I Saw Her Standing There

We reach the first track of the first album on today’s episode as we discuss “I Saw Her Standing There”. Does it make for a good album opener? Is it a good representation of the band? And just how well (or otherwise) does the 70’s Lennon cover with Elton John stand up? (hint: not great!)

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Twitter: @beatles_ology

And Introducing… Korean TV

The excellence of Korean TV shows, introduced.

What’s The Topic? Korean TV, and the wonders thereof.

Even the most pop-culturally blind person in the world could not really have failed to notice just how dominant and mainstream K-Pop has become in the world. BTS are, of course, the big-ticket item there, and have secured an enduring legacy outwith their home country and around the world . Even just a few years would have seemed vastly unlikely except with a novelty hit like “Gangnam Style”. Yet music – and there’s a whole lot more to Korean music than just K-Pop – isn’t the only place Korean culture has been flourishing.

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We’re Number Two: 1998 – “Ray Of Light”, Madonna

Listen to the music playing in your head

It would be fair to say that Madonna’s Imperial phase came to an end pretty much with the 80’s. Her chart success in that decade was practically without parallel but nobody’s Imperial phase lasts forever. The 90’s were decidedly more hit and miss – there was movie success (Evita) and movie failure (the quite abominably frightful Body Of Evidence). There was music success – “Vogue” and “Justify My Love” most notably in the singles charts – but though the album before Ray Of Light, Bedtime Stories, had sold in predictable boatloads because, well, Madonna has a lot of fans, neither it nor its singles really impacted the public consciousness outside of her fandom all that much. There was a four-year gap between Bedtime Stories and Ray Of Light – not quite unprecedented for Madonna but still matching the longest period between albums she had ever taken. And, in truth, her public image was slipping.

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