jgmcquarrie

Avengers: Endgame

The MCU reaches it’s apotheosis

What’s The Movie? Avengers: Endgame

What’s It All About, JG? Saying an emotional, tear-jerking farewell to characters we’ve lived, loved and explored with over more than twenty movies and giving them a rousing send-off as one of the most ambitious projects in all of cinema closes out. Or, corporate synergy, crossover promotions, blatant emotional manipulation and a pathological desire to keep the superhero gravy train going. Take your pick, really. Either way the story is simple – Thanos wiped out half of all life in the universe by snapping his fingers, so now whatever remains of the Avengers has to find a way to stop him, using a really weird model of time travel, sacrifices, and loopy plot logistics. Steed and Mrs Peel not featured.

Titans – Season One

Teen superpowers and a whole host of hey-it’s-that-characters!

What’s The Show? Titans – Season One

What’s It All About, JG? – Supporting Superhero Characters: The TV Show. Robin off of Batman, Wonder Girl off of Wonder Woman, a different Robin off of Batman and Gar off of Doom Patrol team up with Rachel Roth – the personification of emo makeup – and Kory Anders/Starfire – the personification of shiny disco outfits – for weirdly schizophrenic adventures in… stuff. Quite a lot of stuff, in fact, as the Netflix series rambles about ten episodes, dropping into random character arcs, plots, background and exposition with little rhyme or reason. Ostensibly we’re following Rachel’s story, as she tries to wrestle with some kind of inner darkness – inventively portrayed as some kind of outer darkness, usually via the medium of mascara – and tries to figure out who she is and where she comes from.

Russian Doll

Groundhog Day, meet New York City. New York City, this is Groundhog Day. Play nice now!

What’s The Show? Russian Doll

What’s It All About, JG? Remember the movie Groundhog Day? I know, I know, everyone does – even if you’ve never seen it the film has become such a pervasive part of popular culture you know what’s being referred to even if you haven’t seen Bill Murray struggle through the same day near-endless times until he learns to be a better person. Well, Russian Doll is that, but not a movie and instead an eight-part series on Netflix starring Orange Is The New Black‘s Natasha Lyonne. She plays Nadia Vulvokov who experiences a time-loop at the party for her 36th birthday and gradually figures out what to do about it over the course of the eight episodes. Kind of. She’s joined by Alan Zaveri, who’s also stuck in the time loop, and we get to meet a mix of her New York friends, all of whom come from The Big Book Of Whacky NYC Characters. What could be causing the loop? How can she get out of it? Those questions, along with the detailed and intricate examination of Nadia’s personal life, are explored over the course of eight thirty-minute episodes.

Will And Grace – Season 10/Revival Season 2

Ten seasons in can the gang keep the laughs coming? Nope.

What’s The Show? The second season of the revived Will & Grace

What’s It All About, JG? In line with the trend to see if just one more breath can be sucked from the desiccated corpse of 90’s nostalgia, Will & Grace – a sitcom about a gay lawyer and his live-in friend, as if you need to be told – returned to our screens in a season that would be best described as “uneven”. It struggled in the early going, but, a few wobbles aside, more or less managed to return to the easy-going, knockabout atmosphere that made the original show so watchable. Since the revival was pretty successful we have this – an attempt to get a second breath out of the aforementioned corpse. So we still have the original cast – Eric McCormack, Debra Messing, Megan Mullally and Sean Hayes – returning once more and the same basic set-up the show’s always had. Can lightning strike twice?

The Conners – Season One

Can Roseanne survive without, you know, Roseanne? Yes, as it turns out.

What’s The Show? The Conners

What’s It All About, JG? First there was Garfield Without Garfield, a bleak look into the existential crisis of one poor man’s attempts to wrestle with life’s greatest (and smallest) conundrums. Then we have Rosanne Without Roseanne, following in GWG‘s trailblazing footsteps! Yes, it seems that getting fired from your own show wasn’t enough to actually kill said show, so instead we have this, The Conners, which is literally Roseanne but without the title character who died ~~on the way back to her home planet~~ off-screen of an overdose. Everything else about the show is exactly the same – the same characters, situation, difficulties and so on, just without the matriarchal centre that held the show together up until this point (even the title music and font remain the same). That means that John Goodman’s Dan shifts rather more to the middle of the show, while also loosening things up a little so it feels more like a genuine ensemble piece rather than “Roseanne, oh and also everyone else”. That format worked well enough for Roseanne the show, but how well can the series survive without it’s primary creative force and principal character?

Doctor Who – Series 11

The Doctor’s a lady womaness! Gasp! But is the first series starring Jodie Whittaker actallly any good away from the controversies?

What’s The Show? – Doctor Who, Series 11. The Series 11 starring Jodie Whittaker, not Jon Pertwee, to be clear.

What’s It All About, JG? – Well I’m not going to explain the concept of a time-traveller in a police box from another world having adventures, because come on. Instead, let’s talk about the most recent season, which is mostly about controversy, it seems. Controversy over the social and political content, controversy over the choice of showrunner, controversy over the Doctor being a woman… there was plenty to discuss, and regardless of where one falls on these issues one thing is sure – people have been talking about Doctor Who in a way that’s basically unparalleled since the big media blitz in 2005 when the show returned from the Wilderness Years. If the end result of all these changes was to garner more publicity for the show well – job done. Significantly, despite all the many questions raised by fans and more casual viewers, and despite the vast differences of opinion on almost every other topic, one thing seems to unite just about everyone when they talk about this season – Jodie Whittaker’s great.

Brexit

I hope you all appreciate the restraint it took not to put the word “fuck” in the headline

(You can assume, for this article, there will be even less of an effort made at objectivity than usual. Yes, really! This article was originally writte in December 2018 and somehow things have gotten worse since then. Well done, everyone…)

What’s Being Covered? Brexit. Why the fuck not? Everyone else is doing it…

What’s It All About, JG? David Cameron’s massively unsuccessful attempt to end Tory in-fighting over Europe, and the catastrophic consequences which have spun out from it. Cameron – an oil-slick poured into a poorly-fitting suit with a questionable attitude to porcine sexual relations – clearly thought he could win a referendum over whether to keep the UK in Europe as a method of getting his grumbling backbenchers to shut up once and for all, misjudged it, and now we’re all fucked. Having lost, rather than stick around to deal with the consequences he promptly pissed off – it’s not like any of this was going to affect him anyway – which means instead we have the haunted, desiccated soul of Theresa May trying to guide the country through its biggest shake-up since at least the 70’s.

Venom

Can Tom Hardy bring the alien goo to life in a way that Spider-Man 3 so specacularly failed to do?

What’s the Movie? Venom

What’s It All About, JG? Apart from Tom Hardy’s unexpected career side-step into goofy comedy, it’s about a lump of back alien putty that’s held in a space station that falls to Earth when something else on the space station escapes and causes it to crash. It subsequently bonds with washed-up journalist Eddie Brock (Hardy) because the symbiote needs a human host to survive in an oxygen-rich environment for reasons of plot expediency. There’s a bad Elon Musk-alike, Carlton Drake, who’s gathering a multitude of aliens for… reasons (he claims to be trying to save humanity though to describe this plot thread as “nebulous” would be an insult to nebulas) and has other symbiotes he’s trying to get to bond with humans because He’s A Bad Guy. It all ends in a big rocket, scads of variable-quality CGI and a big-ass set-up for a sequel, where Venom and Brock finally get to the point of the exercise and start hunting bad guys in San Francisco. It is, in other words, a superhero movie, just with a sticky-looking blob full of teeth and a tongue even Gene Simmons would be envious of rather than a cast of spandex-clad muscle-warriors.

The Gifted

Dreary family drama does not become less dreary simply because your brats have amazing abilities, you know.

What’s The Show? The Gifted

What’s It All About, JG? The Struckers discover that their children have “special powers” of the type that ought to be immediately identifiable to anyone with a passing knowledge of pop culture over at least the last twenty years or so. They’re mutants of the X-Men variety, destined to be hunted by mutant-hating purists who want to “keep the human race from extinction” by persecuting said mutants, which means the family need to go on the run. They’re being hunted by Sentinel Services, a government-sanctioned (sort of) mutant control authority who absolutely totally aren’t just Nazi stand-ins, honest guv. So – family on the run, secret to hide. There’s a line in the last Deadpool movie about how mutants are, “a dated metaphor for racism in the 60’s!” Mmm-hmm.

Lost in “Lost In Space”

Can Netflix manage to do the whole nostalga-meets-new-technology thing?

[NB – This article was written after the first season had been released, but prior to the subsequent ones]

So here we go with another reboot. History (and by history I mean, “the last fifteen or so years” for the most part) is littered with the corpses of failed reboots. For every successful attempt to drag some forgotten franchise into the twenty-first century (Battlestar Galactica, say, or Doctor Who) there’s a dozen more that fell by the wayside, as forgotten as the shows they tried to resurrect. Hokey old 60’s and 70’s sci-fi shows come with a built-in fanbase – not always very large, but often very dedicated – so it’s not exactly difficult to work out why producers might think old franchises might be worth taking a gamble on. Why bet on something new and completely unknown when you can dredge something up from the past which, even if it won’t bring in huge numbers, will at least bring some?