jgmcquarrie

Kim’s Convenience

Can Canadians do sit-coms?

What’s The Show? Kim’s Convenience

What’s It All About, JG? It’s a Canadian sitcom about a Korean-Canadian immigrant family who run a convenience store in Toronto. It’s all very traditionally sitcom-y, with the patriarch of the family, Appa, running the titular store and family life revolving around it. That family life includes a n’er-do-well son trying to make things right after a spate of petty teenage crime led to a rift between him and his father, a loyal daughter trying to do the right thing by her family which trying to assert her independence, and Umma, the matriarch who, at least on the surface, feels more grounded yet can spin out just as easily as anyone else given the right circumstances. In other words, it’s a family sitcom. What that summary fails to do, though, is sum up how unutterably charming and delightful the show is. Which may be a bit of a spoiler for what’s coming up…

Star Trek III: The Search For Spock

Spock’s dead! But don’t worry, it won’t last. Uh… spoilers?

What’s The Movie?Star Trek III: The Search For Spock

Pre-Existing Prejudices:
It’s the first of two films to be directed by Leonard Nimoy, who carved out a niche for himself as a director after this. It’s also the first time we have the chance to tackle “the curse of the odd numbered movies”, the true-in-popular-culture idea that when it comes to Star Trek films, the even-numbered ones are good, the odd-numbered ones are not (though if we follow numerical sequence, that would make Nemesis – the least beloved of just about any Trek movie – Star Trek X: Nemesis, where I suspect most fans might suggest this theory goes a bit wrong). I haven’t seen this is a good couple of decades, maybe longer, and my residual memories of it are very variable, so I’m looking forward to revisiting it.

Star Trek II: The Wrath Of Khan

Can Khan still captivate or is it time to can the Khan?

What’s The Movie? Star Trek II: The Wrath Of Khan

Pre-Existing Prejudices: It’s a sequel to godawful TOS episode “Space Seed”, so it’s got that baggage to carry. It’s got Ricardo Montalban giving the kind of subtle, understated performances that Ricardo Montalban is known for (he’s still amazing). But, more than anything else, it’s The Wrath Of Khan, fanboy favourite and beloved franchise restorer after the misfire of The Motion Picture. I wonder if it will live up to its reputation? Mmm.

Star Trek: The Motion Picture

The slow-motion picture! But does the crew’s first outing deserve its slow and ponderous reputation?

What’s The Movie? Star Trek: The Motion Picture

So here we have the debut cinematic outing for the original crew of the Enterprise as the band get back together for their first venture onto the silver screen (plus a couple of session players, it seems). But does the movie live up to its slow, ponderous reputation?

Pre-Existing Prejudices:
Well, there’s that ponderous reputation for starters. The film is often referred to as The Motionless Picture or The Slow-Motion Picture, and has a standing that suggests “good attempt, didn’t work out” is about as generous as one could be. Putting that aside I know the Riker/Troi relationship from TNG is basically a carbon copy of the Dekker/Ilea one from this movie. I doubt I’ve seen this in… twenty-five years though, so I am going in as open-minded as is possible.

Godzilla vs Kong

Monkey punch lizard punch monkey punch lizard. For two hours. What more do you need to know?

What’s The Movie? Godzilla vs Kong

What’s It All About, JG? If you can’t work it out from the title, I’m not sure what I can do to help, really. Monsters fighting monsters (but then also fighting a robot). Surprise, right? Anyway the technically-there plot is that Godzilla attacks a research base unexpectedly while Kong, who has been taught basic sign-language by a deaf girl, is transported from Skull Island to help get into the Hollow Earth. Midway there, there’s a big slap-fight between Godzilla and Kong, then Kong does indeed get inside the Hollow Earth where there’s a throne-room where his people once ruled from (I guess?) and big-ass axe made from a previous Godzilla’s dorsal fin. Some people – all the humans, from the little deaf girl to major characters are all just “some people”, really – have built Mechagodzilla and it’s down to our deaf friend to convince Kong to stop fighting Actual Godzilla and team up to defeat the robot one. Which, in a vastly destructive Hong Kong sequence, they do. The movie ends with the two Titans going their separate ways and Kong ruling once more beneath the Earth.

Zack Snyder’s Justice League

Does the re-edited, re-shot and re-monkyed-around-with movie improve on the original? How could it possibly be any worse?

What’s The Movie? Zack Snyder’s Justice League

What’s It All About, JG? Following the death of Superman in Joan V Betty: Dawn Of Handbags the world is under threat from Steppenwolf, a hilariously be-spiked bad guy who has come to Earth in search of three Mother Boxes. They’re devices that can literally destroy the world and were left on Earth after a previous invasion failed. Racked with remorse, it says here, Bruce Wayne puts together a team to fight him off consisting of Wonder Woman (excellent), The Flash (fine), Cyborg (certainly in this), Aquaman (appealingly silly) and an eventually-resurrected Superman (poorly served), plus his own Batman (OK). It all ends – can you imagine the surprise? – in a big CGI slug-fest where Steppenwolf is defeated but it turns out he was only working for Darkseid, the real power behind (well, on top of) the throne. And there’s a stupid Epilogue about a wasted world and the Joker for no apparent reason, but that need not detain us.

Wandavision

The MCU comes down to earth with its first Disney TV show.

What’s The Show? WandaVision

What’s It All About, JG? Following the events of Avengers: Endgame and the death of Vision, Wanda retreats into a world of comforting sitcoms, generated by her extraordinary power. This means that a “hex” has been placed over the town of Westview and its inhabitants become her puppets, while out in the real world agents of S.W.O.R.D. attempt to discover what’s going on with the weird red glowy thing that’s covering a town in New Jersey. Turns out Wanda is generating sitcom episodes every “week” in a different style, while Agnes – revealed as Agatha, replete with her own theme song – is trying to steal Wanda’s chaos magic, which means everything ends in different coloured fireballs being slung around.

Tales From The Loop

Under-appreciated excellence from Amazon Studios.

What’s The Show? Tales From The Loop

What’s It All About, JG? Good question. It is, technically, a science-fiction series which is based on the artwork of Simon Stålenhag, a Swedish artist who specialises in painting largely bucolic, slightly old-fashioned landscapes into which technology intrudes. It’s straightforward retro-futurism, in other words, and if a series of paintings sounds like an unlikely basis for a sci-fi show it nevertheless finds a way to work. Across eight episodes we encounter the inhabitants of Mercer, Ohio who live near “The Loop”, a hazily-defined piece of technology that allows the impossible to happen. The series explores the characters of the town in separate but overlapping stories, sometimes connecting with other characters or plots, sometimes not. The series is utterly uninterested in building either traditional arc-based narratives or technobabble science-y explanations for the events that occur, instead investing in its characters and what they go through as a result of events or occurrences caused by The Loop. If that all sounds odd – it is.

Tenet

What if Doctor Who but James Bond?

What’s The Movie? Tenet

What’s It All About, JG? It’s Doctor Who for people who don’t watch Doctor Who but who nevertheless quite like the idea of a two hour Doctor Who story but also James Bond. Basically – very basically – there’s a temporal Cold War going on, with the future attacking the past for comparatively nebulous but plot-necessary reasons. Our hero is The Protagonist, played with glowering intensity by John David Washington, who’s out to… erm, save the present I guess? Probably. Anyway, he finds out about Tenet, an organisation who are trying to stop the future and save humanity as it is now. He is aided in this quest by Neil (Robert Pattinson, continuing a long and surprising run of not sucking), someone who The Protagonist doesn’t know but who seems to know him. There’s also some Bond-type shenanigans with an Indian arms dealer who sometimes-helps-sometimes-not, and a Russian oligarch (a fruitily entertaining Kenneth Branagh as Andrei Sator) who can contact the future, and his wife, a standard-issue wife-kept-prisoner-in-a-gilded-cage routine that should be familiar to anyone who’s seen Thunderball. Sator is behind all of this and suffering from terminal cancer so, um, has decided to take the world down with him at a time of his choosing. Like you do. It all culminates in lots of running about the place, some fairly obscure temporal physics and a big rush to the end in order to prevent the movie’s McGuffin causing a loosely defined catastrophe.

The K2

Spy shenanigans meets.. well just about every genre under the sun in this excellent Korean drama

What’s The Show? The K2

What’s It All About, JG? It’s a one-season long Korean drama which posits the question “What if 24, but Dynasty?” Which is not, frankly, a question that gets asked often enough. Our hero is Kim Je-ja – played with slightly boyish enthusiasm by Choi Seung-hun – who is framed for the murder of a civilian in Iraq. Returning to Korea as a fugitive he accidentally catches Jang Se-joon, a predistential candidate, in flagrante with a mistress which through a series of what can only be called shenanigans, leads to him to work for Choi Yoo-jin, his wife. She’s hiding his illegitimate daughter, Go An-na, from the public eye as a means to control Jang- Se-joon and ensure her own elevation to First Lady. Kim agrees to work with her (under the codename K2) to take revenge on another presidential candidate, Park Kwan-soo, the real perpetrator of the Iraq murder for which he has been framed, while he slowly – sometimes very slowly – falls for An-na. Meanwhile Choi Yoo-jin’s younger brother, Choi Sung-won, is manoeuvring to take over the family business and treats the life and death situations as little more than a game for his own amusement. It’s a strange mix of espionage, family drama (the whole Dallas-esque sub-plot involving the protracted fight for the family business), conspiracy theories, techno-thriller, adventure serial, high-kicking action and romance all wrapped up in one show. Whatever else you can say about The K2 it certainly doesn’t lack for content.