jgmcquarrie

Star Trek V – The Final Frontier

Does the movie with the worst reputation in the Star Trek canon deserve it’s fate? Surprisingly, no.

In some ways, Star Trek IV: The Voyage Home was a perfect conclusion for the TOS crew. The story arc that’s run for three movies’ reached its conclusion, there’s some character growth, and a promise of the future with a new ship. But it wasn’t the conclusion – so can Star Trek V: The Final Frontier add anything to the saga?

Pre-Existing Prejudices: “What does God need with a starship?” It’s that one! Yes, arguably the most notorious movie in the whole of Star Trek, this has its fair share of critics. It’s co-written and directed by William Shatner, which means he’s bringing everything to the table, for both good and ill. Because I’m a nerdy fan, I’m aware that this is the first of several Star Trek appearances by the joyfully brilliant David Warner, if not perhaps his most noted. Marshmellons, El Captian, Spock’s half-brother… it’s a heady mix. Let’s find out if this movie deserves it’s dreadful reputation!

Star Trek IV – The Voyage Home

Is there any point in putting anything here other than “it’s the one with the whales!”?

Spock’s alive again! Well he was at the end of the last movie at any rate. After the surprisingly strong third entry into the series can The Voyage Home keep up the momentum?

Pre-Existing Prejudices: The One With The Whales. Come on, it’s the one with the whales! Everyone knows the one with the whales! I am, of course, aware of the pro-environmental message – though not how well it’s aged since the mid-80’s – and of course it’s “the funny one”. You know, “nuclear wessels”, “Computer!”, “double dumb ass on you!”, “I think he did a little too much LDS” and so on. As with the last entry though its been simply ages since I saw anything but the usual clip reel, so I’m looking forward to revisiting it.

What’s It All About, JG?

After three months on Vulcan, apparently unmolested by a Starfleet who might be rather cross at the destruction of one of their ships, Kirk and the crew head back to Earth in their euphemistically-acquired Klingon Bird Of Prey to finally face the music. Meanwhile, however, a mysterious probe (nothing like the mysterious probe from a couple of movies ago) knocks out ships and starbases on its way to Earth as it broadcasts a signal.

Dear Boy, Emily Berry

What’s The Book? Dear Boy, by Emily Berry

What’s It All About, JG? It’s a debut collection of poetry, first published in 2013, by Emily Berry, a short series of poems which vary greatly in style and tone, capturing the moods and passing moments of a variety of lives lived across all of the pieces. It’s also a deeply beguiling piece, at times almost painfully intimate and revealing, which dives into the emotions, motivations and lives lived of its characters, sometimes straightforwardly but usually fractured through the lens of the world, straying into a number of different, subjective worlds – emotional, personal and deeply felt. Throughout it all, Berry’s distinctive, skilled voice remains our guide as we weave in and out of the rich, complex and, yes, sometimes funny conditions of life.

We’re Number Two: 1992 – “Justified And Ancient”, The KLF & Tammy Wynette

They’re a confounding band, The KLF, and that’s what makes them so profoundly interesting during a moment in time when a lot of music was anything but. Because although there’s a lot of good music bubbling under in 1992, precious little is making much of an impression at the top end of the charts, singles or albums. In fact the singles charts in the UK are in the absolute doldrums, with sales levels plummeting to near-record lows and just twelve Number 1 singles over the course of a whole year.

We’re Number Two: 1991 – “Sit Down”, James

James are one of those bands that get lumped in with a style that they’re not quite a perfect fit for. Emerging from Manchester in the first half of the 80’s they knocked about all the familiar Manchester-in-the-80’s clichés – you know, playing at the Hacienda, supporting The Smiths, a brush with Factory Records, that sort of thing. It takes the remainder of that decade, and a bit of a shift in the line-up, before they finally manage to get some career momentum going, though James are notable for being an act whose live performances are where they built the core of their audience, not through records sales or chart performance.

Leaves On The Cultural Line – A Doctor Stands Down

A Time Lord exits – but does it matter, and if so, why?

Jodie Whittaker has decided to stand down as the Doctor.

Rather than debating the merits or otherwise of her era, it’s been interesting to see the press reaction to the news that the first female Doctor has decided to leave on a schedule pretty much in line with the previous two Doctors. Sure, there will be fewer episodes in her third season, but there’s a pandemic on – there’s not a lot you can do about that really. Otherwise, though, she’s done her shift and it will be time for a new Doctor (cue much rampant speculation and little-to-no accuracy) and a new showrunner. Still. The news made a few front pages. The Guardian went with the relatively staid and accurate “Jodie Whittaker Quits Doctor Who”. OK. “Time’s Up Already: Jodie Whittaker To Leave Doctor Who” says The Independent. So far, so accurate. “Woke Doctor Who Quits The TARDIS”, says the Daily Telegraph. Hmm. One of these things is not like the other.

Babylon Berlin

A series set in Berlin, Germany in the late 1920’s – that can only end well, right?

What’s The Show? Babylon Berlin

What’s It All About, JG? The series is set in Berlin during the dying days of the Weimer Republic, where Inspector Gereon Rath has arrived, fresh-faced and slightly innocent, from Colonge who is sent on assignment. He’s there to try and take apart an extortion ring – it very much doesn’t just so happens to be his father that’s being extorted – aided and abetted by Charlotte Ritter, one of the police clerks trying to make her own way past the inherent sexism of the era in a time when women were finally starting to make progress in the workplace.

We’re Number Two: 1990 – “Tom’s Diner”, Suzanne Vega / Love Shack, The B-52’s

Of course, “Tom’s Diner” had a long history before it became a hit, and another altogether different legacy after its release. It was originally written around 1981 or 1982 when Suzanne Vega was a student at Barnard College – the diner is a real place and she really did frequent it, though the physical building is probably better known these days as the exterior location of Monk’s Café in Seinfeld. The song eventually saw release half a decade after it was written, on Vega’s critically acclaimed 1987 album Solitude Standing and it appears on the album twice, once as the a capella opening track and once as an instrumental to close the album out.

Train Round The Bend

A little North-South difference, by way of the rails.

There’s been a bit of a kerfuffle about trains this week. Now while I realise that might not set everyone’s hearts a-flutter – although it should, because trains are awesome – it’s been fairly revealing. And the thing it’s been revealing about is the differences in approach between how Scotland and England are coping with coming out of lockdown and the relative merits of those approaches. Because while England has had its “Freedom Day” on the 19^th July – and in the teeth of scientific advice – Scotland isn’t having further unlocking until at least the 9^th August, it may end up being later than that, and our social distancing is being reduced to one meter rather than entirely scrapped, as per things down south.

Loki

A trickster god, multipe timelines and a Disney budget – what could possibly go wrong?

What’s The Show? Loki

What’s It All About, JG? After (well, during) the events of Endgame, the trickster God Loki manages to escape with the Tesseract and finds himself in an alternate timeline. There he is taken in by the Time Variance Agency, an organisation that exists outside of normal space and time who help to regulate the “one sacred timeline” by ensuring one version of history is always running as it is “meant to”. Since this version of Loki is a time variant, everyone’s favourite troublemaker has a choice – either face being pruned form existence as a variant or assist in fixing the timeline in order to prevent an even bigger threat. That means we get six episodes of various differing amounts of things, during which we learn that the TVA is a bit of a fraud and the Time-Keepers who are meant to run the place are entirely fictional. The whole thing ends with the reveal of He Who Remains, the real power behind the throne and gratuitous set-up for the upcoming slate of Main Range movies. Oh, and the inevitable post-credits thing which makes it clear Loki’s getting a second season.